Tombstone Door Panel 12/30/2008
![]() To begin making the panel, I rough cut a board slightly oversized and plane it to final thickness. In my Cabinet for the Shoppe build I used a full 3/4" thick panel and planed a rabbet all around the back so the panel would sit in the same plane as the door frame. For this panel, I planed the panel thinner so that I would not need to plane a rabbet in the inside. The final thickness of the panel is gauged from the frame and is equal to the thickness from the front of the frame to the back of the groove. ![]() I also scribe the depth of the bevel around the edges of the panel at this time. Since I do not have a dedicated panel raising and fielding plane, I use a rabbet plane to make raised panels. Since a rabbet plane has no depth stop, I need a gauge mark to tell me when to stop planing. In addition, I won't be able to plane the arched section so I will need this depth gauge to guide my carving. I don't scribe the depth of the field preferring to simply eye this depth as I plane and carve. It's such a shallow cut that a little inconsistency won't be noticed anyway. ![]() Not having a panel raising plane, I begin this raised panel like I begin a square raised panel, by creating a rabbet all around the panel to define the depth of the field. I can plane the rabbet along the bottom and sides of the panel just like I would with a square panel. However, the rabbet at the the top shoulders and arch will need to be carved. ![]() To begin the carving of the rabbet at the top of the panel, I use a wide bench chisel to define the field at the shoulders and a carving gouge to define the field around the arch. Here I'm using a 1/2", #4 gouge. The sweep of this gouge was a good match for the radius of the arch. To keep the scribe continuous all around the arch I always keep a corner of the gouge in the previous cut. I make a vertical stabbing cut all around the arch to the depth of the field. ![]() I then use a very sharp bench chisel held with the bevel down to pare away the waste at the shoulders and around the arch. I pare down until the depth of the field in these areas matches the depth of the field in the areas where I planed the rabbet. Again, I do this by eye. ![]() The last step is to bevel the panel. Again, at the bottom and sides of the panel I can plane the bevel using my rabbet plane. I then use a bench chisel to carve the bevel at the shoulders and arch, working slowly and trying to maintain a straight bevel from the field to the depth of the bevel at the outside of the panel. A little convex is ok and won't be noticed in the final panel but you don't want to carve this area to a concave bevel as it would be very noticeable. I use a chisel as wide or wider than the bevel to aid in keeping a straight line from the field to the outside of the panel bevel. ![]() The last step is to fit the panel to the door frame. Make small adjustments where necessary to make sure the panel fits the frame snug but not tight. You want the panel to be able to expand and contract seasonally without binding but you don't want it to rattle around either. It may be necessary to disassemble the frame completely and fit each frame member to the panel one at a time to make sure you only remove wood where it fits too tight. The you can reassemble the frame and fit the panel to the assembled frame. Commentsjohn powers Wed, 31 Dec 2008 06:03:17 Bob Fri, 09 Jan 2009 09:41:32 Nice work on the door, Bob. You are right that our techniques are very similar! I've never made a tombstone door, though. It's very handsome. Leave a Reply |
































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